untitled art fair
For an artist whose work appears incredibly minimal or extremely intricate (or both?), but either way, puts a LOT of work into their work - like fingers to the bone, "the no-hands award" goes to Andres Bedoya.
andres bedoya, mixed media on taro gomi doodle book, december 22, 2015Ho
Hope your mitts are on the mend. Great showing at Gonzalez y Gonzalez at Untitled Art Fair.
andres bedoya, title unknown, metal unknown, but every turn + link made by the artist, 2014 or 2015.
The paintings of Paul Kremer and Les Rogers dare you, "C'mere! Come here!" They say, "Hey, girl! Wanna listen to some music, hear some poetry, let the sun beat down on your head, shake your hair, your haunches? Care to think about heartbeats, the power of color and shape-making, mind and space shifting in a secret, through-all-the-ages-and-time-but-it's-ON-now language?"
Not so fast, sister. The award for excellence in transforming live, genuinely engaged human beings (who can be plied with greetings, information and the promise of owning the most-best painting-makings currently exhibiting) into cold, lifeless stone forever goes to Peter Makebish. His craft in curating a vibe, turning up the music, creating poetry and dashing hopes and hearts is so honed and precise, I named this award after him.
Congrats, mon frère Pierre.
katherine sandoz portrait of peter makebish at untitled art fair, miami, florida, december 2015
